Daughter of Mine (2018)

This is Laura Bispuri’s sunswept, emotive, and elemental sophomore film, after her sensitive culture and gender exploration Sworn Virgin [HIFF 2015]. […] Daughter of Mine is a noble rarity, passionately involved in the exploration of oppositional ideas of motherhood not just as an abstract concept, but as a real and vivid, painfully sacrificial thing.

“Wash between your toes, you always let it get so dirty in there,” says Tina (Valeria Golino) to her 10-year-old daughter Vittoria (Sara Casu). But when Vittoria parrots the line to [her biological mother] Angelica (Alba Rohrwacher) as she soaks the foot she wounded in a hangover-related stumble, Angelica replies airily, “Dirt goes everywhere anyway.” It is a neat summation of the different perspectives of the two women […].

Rohrwacher, in her second riveting role for Bispuri after Sworn Virgin, is a force of sea-salted, scudding-cloud, screwed-up nature […]. Golino, playing the straighter role, is more quietly impressive, as the strained, level-headed, but ferociously loving Tina. And newcomer Sara Casu is so good as Vittoria, she becomes not just the passive bone of contention between the two adults, but an idiosyncratic, watchful presence of her own.

Jessica Kiang, Variety

  • Orig. title: Figlia Mia
  • Language: Italian
  • Subtitles: English
  • Distribution: The Match Factory
  • Print source: The Match Factory
  • Cinematography: Vladan Radovic
  • Music: Nando Di Cosimo
  • Editing: Carlotta Cristiani

Collaboration